Fri 17 Oct 6.30pm–7.15pm
Fri 17 Oct 8.30pm–9.15pm

Over more than 20 years, Maissa Alameddine has been a vital presence in the contemporary Arab Australian arts community. She is a founding member of the Western Sydney–based Arab Theatre Studio, and the creative director and lead vocalist of Ensemble Dandana, a collective dedicated to creating Arabic music, delivering workshops, and reimagining traditional sounds through experimental public improvisations.

Held in the hours is a fifty-hour durational performance using a 1970s Singer 20U industrial sewing machine once belonging to Salwa, a skilled dressmaker. Held in the hours will be performed on Friday 26 September, and Saturdays and Sundays during the exhibition, between 12-5pm, with closing event on Sat 18 Oct 3-5pm.

Kurt Lam’s Good People have been asked to curate a whole night of music Upstairs at the Sneaky Possum for @sxswsydney. Showcase of local ambient electronic talents @wytchings and @the_land_of_rah, performances from 7-9pm, and a special 2hr Kurt Lam’s Good People ambient journey featuring @hinafuji_ on sax and Joji Malani (@tamachochi) on guitar from 9:30-11:30pm.

Maryam Rahmani is an Iranian-born santur player now based in Adelaide. Her music draws deeply from Persian classical traditions and poetry, enriched by her studies in traditional instruments and rhythmic structures.
Maharshi Raval is an accomplished tabla player from Benaras Gharana (school) living in Sydney.

Listening party for Alex Spence’s new album on October 19th at Frontyard in Marrickville, 3-5pm, listening to commence around 3.30pm. Free, though donations to @frontyardorg are encouraged, byo beverages, and some vinyl copies for sale.

Monica Brooks solo piano, celebrating the release of her forthcoming album.

Chris Pidcock will perform:
Iannis Xenakis: Nomos Alpha (Νόμος α΄) for solo cello (1965)
Horatio Radulescu: Lux Animae for solo cello (1996)
Chris Pidcock: Schaum for CS 80 for synthesiser.

PLEASE REPLY TO THIS EMAIL FOR NEW ADDRESS AND FURTHER DETAILS AND TO CONFIRM YOUR ATTENDANCE

STANHOPE String Quartet No.1, Elegies & Dances
BRITTEN String Quartet No.2 in C Major, Op.36
SCHUBERT String Quartet No.14 in D minor, Death and the Maiden

Alex Hitchcock Trio - London-born saxophonist, composer, arranger, and producer based in New York, drawing inspiration politically as much as musically from artists in the radical tradition of Black American music.
Alex Hitchcock - saxophone, Cam Undy - bass, Alex Young - drums

Steve Barry Quartet
Steve Barry - piano, Tom Avgenicos - trumpet, Cam Undy - bass, Alex Young - drums

STANHOPE String Quartet No.1, Elegies & Dances
BRITTEN String Quartet No.2 in C Major, Op.36
SCHUBERT String Quartet No.14 in D minor, Death and the Maiden

Lauren Tsamouras' Another Green World explores meditative and intimate spaces to unite musicians and audience. Originally written for piano and double bass duo, she will be joined by various incredible musicians in the Sydney jazz and improvised music scene throughout her residency. Each week will feature original compositions from her debut album "Μητέρα/Mytera" and new unreleased works which will be adapted for trio and quartet formats.

A fundraiser and in-situation-sonic sharing, raising money for families in Palestine. Featuring small groups across three nights.

For the past two years, SOUND THE ALARM has acted as a collective action from the improvised music and jazz communities to raise money for on-the-ground support in Gaza and share our grief and solidarity with all of those witnessing from the sidelines. By providing a space for listening, connection and action we hope to continue to normalise resistance to the genocide, and show that silence is not an option. 

Post-bop sound, blending original compositions with interpretations of the jazz repertoire.
LEO MARLAND (Alto Saxophone)
RAVI T-RAY (Piano)
JAE RYDER (Bass)
WILL HARPUR (Drums)

Drummer Chloe Kim (김예지) is one of Australia's foremost improvising musicians. Chloe also composes and lectures at the Sydney Conservatorium of Music in the Drum Set faculty.

From Thursday to Saturday, the installation opens to the public. The week culminates in a special ticketed solo performance by the artist, presented alongside their installation.

Bukhu and Nosh weaves together Khuumii (Harmonic overtone throat singing), ancient instruments, and contemporary sonic exploration.
Bukhu is a master of Mongolian musical traditions, most notably Khuumii and the Morin Khuur (Horsehead fiddle).
Nosh is a composer and sonic experimentalist with a diverse musical background blending electronic elements with acoustic textures.

Adriel Sukumar Hyper-Drive

Fernando Concierto de las cinco ciudades
Soloist: Michael Duke

Arturo Marques Danzon No 2

Missy Mazzoli (b. 1980) Ecstatic Science
Friedrich Cerha (1926 - 2023) Quellen (Sources) for ensemble
Holly Harrison (b. 1988) Jabberwock (2021 version)
New Student Work - TBA*
Heinz Karl Gruber (b. 1943) Frankenstein!! (ensemble version)

Convergence is the title of Hamed Sadeghi’s new composition. The concert series aims to convey a deconstructed yet detailed performance of the composition’s roots and components in three acts.

Convergence 1: Classical Exploration
Freya Schack-Arnott (cello), Beth Condon (viola), James Tarbotton (violin), Aida Manouchehr Pour (soprano), Sohrab Kolahdooz (percussion), Hamed Sadeghi (tar).

𝗧𝗔𝗕𝗔𝗧𝗔 𝗠𝗜𝗧𝗦𝗨𝗥𝗨 (Boredoms / Zeni Geva / Acid Mothers Temple) and 𝗠𝗔𝗦𝗔𝗠𝗜 𝗞𝗔𝗪𝗔𝗚𝗨𝗖𝗛𝗜 (New Rock Syndicate / Keiji Haino) come together with 𝗣𝗔𝗨𝗟 𝗞𝗜𝗗𝗡𝗘𝗬 and DON DRUM to form PAUL KIDNEY JAPANESE EXPERIENCE.
This psychedelic quartet has wowed Japanese audiences twice with tours in 2024 and earlier in 2025 and tours Australia for the very first time this October.

Claudia Döffinger, German pianist, composer and conductor, makes her Australian debut at the Sydney Conservatorium of Music, the culmination of Döffinger’s creative residency at the Con. Sharing the stage are: the Sydney Conservatorium Jazz Orchestra and Mary Lou and Beyond, an all-female and gender-diverse student ensemble featuring.

The program pays homage to the legacy of women in jazz composition, from Mary Lou Williams to Toshiko Akiyoshi, Nadje Noordhuis, Miho Hazama and new works by student composer Chiara Minotto.

Inlay Ensemble features string players from Sydney, who have come from professional classical, jazz, folk and experimental, to create diverse music.
Elsen Price - double bass
Tomas Ford - double bass
John Napier - cello
Eleanor Streatfeild - cello
Adrian Keating - violin

Pharos (The Sydney Women’s Jazz Collective) 
Loretta Palmeiro | Alto/Sop/Clarinet/piano; Mariela Mulder | Tenor; Kali Gillan | Baritone; Ellen Kirkwood | Trumpet; Louise Horwood | trumpet; Alex Silver | Trombone; Hilary Geddes | guitar; Hannah James | Double Bass; Bonnie Stewart | Drums

Tymbal Echoes
Hinano Fujisaki | Saxophones; Simon Barker | Drums

Franz Schubert Shepherd On The Rock
Anna Hirst Friedman The Heart Always Says Yes (world premiere)
Robert Davidson Three Bird Riffs, new work (world premiere)
Ollie Muller Petrie Creek Road (world premiere)
Amanda Harberg Court Dances

Amy Moore: Soprano, Andrew Kennedy: Clarinets/artistic director, Anna Rutkowska-Schock: Piano, Ewa Kowalski: Flutes, Rafael Salgado: French Horn, Kate Moloney: Harp, Jack Ward: Cello

Splinter is a radically inclusive large-scale orchestra that has been a forum for improvising for well over 100 exploratory musicians and sound artists living in or passing through Sydney for over 2 decades.

This will be the Orchestra's first public outing since their April Fool's Day performance with Tetuzi Akiyama at the Paddington Uniting Church. The performance will take place in the new home of The Living Room Theatre at 21 Shepherd St, Marrickville.

Jenna Cave Sextet: Jenna Cave (composer & vocals), Yutaro Okuda (guitar), Tom Avgenicos (trumpet/flugelhorn), Loretta Palmeiro (saxophones, clarinet), Hannah James (double bass), Alex Inman-Hislop (drums)

Gabriella Hill Quartet: Gabriella Hill - tenor saxophone, Jacques Emery - double bass, Eric Tsai - guitar, Daniel Raymond - drums

Lauren Tsamouras' Another Green World explores meditative and intimate spaces to unite musicians and audience. Originally written for piano and double bass duo, she will be joined by various incredible musicians in the Sydney jazz and improvised music scene throughout her residency. Each week will feature original compositions from her debut album "Μητέρα/Mytera" and new unreleased works which will be adapted for trio and quartet formats.

A fundraiser and in-situation-sonic sharing, raising money for families in Palestine. Featuring small groups across three nights.

For the past two years, SOUND THE ALARM has acted as a collective action from the improvised music and jazz communities to raise money for on-the-ground support in Gaza and share our grief and solidarity with all of those witnessing from the sidelines. By providing a space for listening, connection and action we hope to continue to normalise resistance to the genocide, and show that silence is not an option. 

Saxophone Special - Plays the music of Steve Lacy. Lacy tunes arranged for saxophone quartet by Phillip Johnston, with special guest Sandy Evans.
Phillip Johnston: alto saxophone
Peter Farrar: alto, soprano saxophones
Sandy Evans: tenor saxophone
James Loughnan: baritone saxophone

Tone Bird - Melanie Herbert (violin, singing bowls) and Romy Caen (harmonium, electronics). Duo using free frequencies - at times softly embedded in the world and other times bright and chaotic.

Augury; Andrew Fedorovitch (bass), Riley Jones (drums) and Axel Powrie (synth, flute, bass clarinet)

Nick Dan (drums) and Jim Denley (saxophone)

Convergence is the title of Hamed Sadeghi’s new composition. The concert series aims to convey a deconstructed yet detailed performance of the composition’s roots and components in three acts.

Convergence 2: Persian Traditional
Hamed Sadeghi (tar), Ramin Etemadzadeh (vocals), Sina Bastami (kamancheh), and Amir Salar Makhzani (percussion).

Elysian Fields - musical dialogue between past and contemporary musical realms, shifting between improvised and notated modalities.
Susie Bishop | voice/violin; Loretta Palmeiro | saxophones; Matt McMahon | piano; Jenny Eriksson | electric viola da gamba; Jacques Emery | double bass; Rease Cameron | drums

Austral Baroque - Music by Jenny Eriksson, Alice Chance, Louis Andriessen, arrangements by Lousie Johnson, and more!
Louise Johnson | Harp; Jenny Eriksson | electric viola da gamba

Spread all across PACT's black box space, a bevy of noise musicians:

WEYÓN
SOCIETY OF CUTTING UP MEN
ANGUS MCGRATH
WYTCHINGS
ANDREA ILLÉS & MARCUS WHALE

Liv Andrea Hauge Trio
Liv Andrea Hauge | Keys
Chloe Kim | Drums
Jacques Emery | Bass

Niki Johnson & Hilary Geddes
Niki Johnson | Percussion
Hilary Geddes | Guitar

Convergence is the title of Hamed Sadeghi’s new composition. The concert series aims to convey a deconstructed yet detailed performance of the composition’s roots and components in three acts.

Convergence 3: Improvisation Duo
Mike Nock (piano) and Hamed Sadeghi (tar).

BELIEVE connects the spectrum of contemporary creative sound making with the fluid, anything is possible momentum of free jazz. For the past three years this Sydney-based quartet has committed to a musical process of learning, exploring, experimenting and growing in public.

Peter Farrar - saxophones, percussion
Novak Manojlovic - piano, percussion
Clayton Thomas - double bass, percussion
Laurence Pike - drums, percussion

Tickets: Free, by ballot only

Unbound is a concert that redefines what it means to be a musician, celebrating those who turn access challenges into a creative force.
- Sonnet Curé, Plastik, transforms the crunch of a lolly wrapper—an often awkward sound in a concert hall—into a moment of lovely, deliberate art.
- Melanie Eden, No One To Be, explores the complex, ambiguous grief of living with inter-generational trauma and autism.
- Alon Ilsar shares his Airsticks—wearable devices that transform movement into sound—with Oliver House, a wheelchair dancer.
- Ria Andriani performs Molly Joyce’s song-cycle Form with Ensemble Offspring.

Chloe dedicates the final year of her 20s to a deeply personal and creative journey. Throughout 2025, she will focus each month on learning, growing, and creating, sharing her process through monthly performances.

These performances are RSVP only. To reserve your spot and receive event details, please email chloekim12months@gmail.com

The Cloud Maker
Te Kahureremoa | Taronga Puoro/Voice
Aviva Endean | Clarinet/Winds/Electronics
Sunny Kim | Voice/Electronics/Percussion
Freya Schack-Arnott | Cello/Nyckelharpa
Maria Moles | Drums/Kalimba/SPD

Panghalina
Helen Svoboda | double bass, vocals
Bonnie Stewart | drum kit, vocals
Maria Moles | drum kit, synthesizer

Ambient / post-folk ensemble Cold Hands Warm Heart celebrating their latest cassette release ‘Day and night have equal weight’.
CRWLR shreds pop plasticity, footwork rhythms, black metal reverence and new wave melodrama.
Hinano Fujisaki, saxophonist, improviser and composer will be joined by Jacob Turl to play reimagined versions of her old songs as well as new music.

Keyna Wilkins - piano/flute, compositions
Jodie Michael - drumset
Elsen Price - double bass
Will Gilbert - trumpet

Merging the sound worlds of jazz and contemporary classical and set to real space sounds and projections.

From traditional Icelandic folksong to new improvised pieces, Ronan Apcar (piano) and Sola Hughes (violin).
Fagurt Er í Fjörðum trad. Icelandic song
Calices - I. II. III. by Kaija Saariaho
Heather by Kate Moore
sky and eye in a grain of sand by Akari Komura (world premiere)
Birds in Warped Time II by Somei Satoh

Carla Thackrah - flute; Virginia Comerford - viola; Alice Giles - harp

CLAUDE DEBUSSY Sonata for flute, viola and harp (1915)
NICHOLAS ROUTLEY Sonata for flute, viola and harp (2024)
ROMANO CRIVICI Arafura Haze (2025)

Tickets: Free, by ballot only

Urethra Vortex (Urethra Stockade + Cletus Vortex) - https://notverygoodrecordsrecords.bandcamp.com/.../48...

Monoeater - https://monoeater.bandcamp.com/album/propping-up-bulldozers

PartyOvOne - https://partyovone.bandcamp.com/.../asymptotically...

Rapacity - https://www.instagram.com/rapacity__/

Born in Iran and now based on Gadigal land (Sydney), Hamed Sadeghi is a multi-award-winning Persian-Australian tar player and composer.

From Thursday to Saturday, the installation opens to the public. The week culminates in a special ticketed solo performance by the artist, presented alongside their installation.

Berlin-based musician and composer Jules Reidy has created a musical accompaniment to the 38th Kaldor Public Art Project 38, Thomas Demand: The Object Lesson.

Local musicians and sound artists will reinterpret Reidy’s score for their performances. Mary Rapp is a multidisciplinary musician based in Sydney who has gained wide acclaim for her distinctive approach, which integrates jazz, experimental, classical and regional music traditions.

Music of Noël Lee, Ruth Crawford-Seeger, George Walker and Aaron Copland,
performed by:
Ole Bøhn, violin
Daniel Herscovitch, piano

Earshift Music label showcase. 

Disruption! The Voice of Drums - Jeremy Rose (saxophone, electronics), Simon Barker (drums), Chloe Kim (drums), Hilary Geddes (guitar), Jacques Emery (bass)

Melbourne’s Koi Kingdom, Marcos Villalta (guitar) Cheryl Durongpisitkul (saxophone) and Stephen Hornby (bass).

Sydney’s Perchance spins a mix of low-end bass weight, grooves and trance-tinged melodies.

Jessica O'Donoghue and Jack Symonds's undead is a celebration of Australian musical and literary talent, offering a cross-section of Australia’s contemporary operatic landscape.

MARY FINSTERER Your Dusk is Near from Biographica (2017)
JACK SYMONDS The Flood from Gilgamesh (2024)
ANDRÉE GREENWELL Speak Our Names from Three Marys (2023)
MARY FINSTERER Eternal City from Antarctica (2022)
JESSICA O'DONOGHUE The Witness from Running Man (2022)
HUW BELLING The Canon & Katharsis from Fumeblind Oracle (2021)
PEGGY POLIAS Dawn from Commute (2020)
PAUL STANHOPE Hanging Rock from Picnic at Hanging Rock (2023)
THOMAS ADÈS Life Story (1993)

Tickets: Free, by ballot only

Fiona Hill - electronics: Ableton Live
Gary Daley - piano accordion, electronics 
An In: Flux performance consists of a slowly evolving long-form improvisation. A marrying of a traditional acoustic instrument, the accordion, with contemporary electronics.

A night of experimental electronica and Slavic darkwave. Layered vocals, live looping, deconstructed club sounds and witch-house.
ŽIVA (Melbourne) a bilingual music project fusing Slavic-pop, darkwave, and experimental electronica
Gift Exchange (Sydney) Jaime Krausman on guitar, Madison Scott on vocals and Eduardo Bianchino on production/synth
Grasps (Sydney) an electronic artist & producer whose sound is experimental electronic, intending to combine extremes of sound.

CHRIS CAINES & EMMA X ZHANG are artists working across installation, sound, and performance. Chris explores immersive media and spatial interventions, while Emma focuses on materiality, movement, and the sensory experience of environments.
MICHAIL MATHIOUDAKIS as MARCIA MANHUNTER artist and performer working through drag, screen, photography, and zine-making.
ŽIVA (Lucija Ivšić) artist, researcher, and lecturer working at the crossroads of music, sound technology, and cultural heritage. Her sound blends Slavic-pop, darkwave, and experimental electronica.

Peter Dasent - Piano
Phillip Johnston - Alto Saxophone
Playing With Monk’s repertoire traverses the music of jazz icon Thelonious Monk, the film composers Nino Rota, Ennio Morricone, early jazz and blues classics, and their own compositions for film and jazz.

Traditional music from the borderlands of Iran and Afghanistan - music of Greater Khorasan.

Badieh is Spain’s Michel Gasco (rubab, oud) and Iran’s Mohammad Miraghazadeh (tar, setar).

Niki Johnson (percussionist, composer-performer) & Shervin Mirzenali's (composer, sound design) collaboration blurs the line between composer and performer, theatre and music, and experimental and conventional instrument design. This newest project involves using vibrating objects as methods of activating different percussive materials, and secret contact microphones as methods of listening small sounds.

From Thursday to Saturday, the installation opens to the public. The week culminates in a special ticketed solo performance by the artist, presented alongside their installation.

Keyboardist, synthesist and improviser Kurt Lam will be bringing together a new lineup of local Sydney musicians every week to explore the possibilities of collaboration and improvisation.  
Tully Ryan on drums
Daniel Pliner on keys & synths

Sulla Lingua is an Australian-Italian electroacoustic noise rock trio, featuring Anthony Pateras (tētēma/PIVIXKI) on electronics, Stefano Pilia (Zu, Rokia Traoré, Massimo Volume) on guitar and Riccardo La Foresta on drums and his own creation, the Drummophone.

Anthony Pateras is a composer, pianist and electronic musician. He works across many contexts including modern classical, acousmatic diffusion, film soundtrack, free improvisation, experimental rock, and various mutations of electronica. 

Tickets: Free, by ballot only

Mitch Elliott - To celebrate the release of his new EP 'A Spring-Flood Overflows the Still Horizon,' the Sydney-based musician and composer Mitch Elliott will be joined by Hinano Fujisaki and Jasper C-A. 

Mara plays the viola and collaborates with her laptop to create live performances and recorded pieces for film, dance, and gallery spaces.

Liam Keenan is currently exploring the sonic depths of improvised acoustic guitar feedback in real time.

Atunement is a live sound collaboration between Panos Couros and Mx Robert Frost, Blending field recordings, ambient textures, musique concrète with analogue and digital synthesis.

Supported by Shooshy. Electronic musician: Using synths, made instruments, mashed loops and processed vocals, inspired by airports, train depots and the natural world.

Matthew Ottignon - tenor, alto, and baritone saxophones
Lauren Tsamouras - piano
Hannah James - acoustic bass
Hayley Chan - drums and percussion
While embodying the spirit of giants such as John Coltrane and Pharoah Sanders, Volant is a modern quartet, delivering compositions and improvised dialogue.

ELENA KATS-CHERNIN (ARR. J. AGOSTINO) Dance of the Paper Umbrellas
RICHARD CHARLTON Port Jackson Suite*                                  
VINCENT LINDSEY-CLARK Magnetar (From Celestial Suite)
P. BELLINATI Baiao de Gude
GUSTI NGURA ADI PUTRA (ARR. T. DRACOULIS) Melasti
JALAL AHMED Dream Walking* (Premiere)
MANUEL DIEWALD Celestial* (Premiere)
JULIA VLAHOGIANNIS Notion* 
LUIGI BOCCHERINI (ARR. J. SPARKS) Introduction and Fandango     

Tickets: Free, by ballot only

ALEXIS WEAVER (she/her) is a composer, sound artist and educator based in Sydney, Australia. At Local Edition, Alexis will create a site-specific work that celebrates the character and wonder of the artefacts within the store. Alexis will highlight certain objects and their makers, drawing out unique sounds and creating a shifting sonic constellation for visitors to dwell in.

From Thursday to Saturday, the installation opens to the public. The week culminates in a special ticketed solo performance by the artist, presented alongside their installation.

FORMA ENSEMBLE is an Australian percussion collective creating, performing, and collaborating on new and experimental music. Rebecca Lloyd-Jones, Joshua Hill, Niki Johnson, Gabriel Fischer, Caleb Colledge, Shu-hsuan Wang.

Michael Gordon’s Timber is a meditative, hour-long work scored for six wooden planks.

Tickets: Free, by ballot only

Keyboardist, synthesist and improviser Kurt Lam will be bringing together a new lineup of local Sydney musicians every week to explore the possibilities of collaboration and improvisation.  
Hinano Fujisaki on saxophone
River Langford on drums

DAN FORREST: Adonai, Adonenu (Psalm 8); Words of Paradise; Requiem for the Living 

Collegium Musicum Choir and chamber orchestra
Sonia Maddock Choral Director and Conductor  
UNSW Soloists: Adina Herz, soprano; Emma Davidson, mezzo; Oliver Brundson, tenor 

For one night only, thedieyoungs and Julien Mier unveil Pluto’s Exchange Program—a secret music project they’ve been crafting since 2017. Improvised collision of percussion, piano runs, and otherworldly textures that fuse jazz, electronica, drum & bass, neo-classical, and spacecore.

 Joining them are live acts ilex and Kid Fiction, plus a DJ set by Postponez.

Lee Dionne - piano

UNSUK CHIN Etude No. 1 ‘In C’ (1999/2003) 
GYÖRGY LIGETI Etude No. 6 Autumn in Warsaw (1985)
FRÉDÉRIC CHOPIN Scherzo No. 4 in E Major (1842)
JOHANN SEBASTIAN BACH Partita No. 6 in E Minor (1730)

Tickets: Free, by ballot only

Maissa is a multi-disciplinary artist, creative producer and experienced vocalist. Maissa has been part of the contemporary Arab Australian arts community for over twenty years.  She is the Creative Director and one of the lead vocalists in ATS’s musical project Ensemble Dandana.

From Thursday to Saturday, the installation opens to the public. The week culminates in a special ticketed solo performance by the artist, presented alongside their installation.

Keyboardist, synthesist and improviser Kurt Lam will be bringing together a new lineup of local Sydney musicians every week to explore the possibilities of collaboration and improvisation.  
Goose on live electronics
Gabriel Haslam on drums

Alister Spence has been playing the Fender Rhodes electric piano since the 1970s. Within Without is Spence’s debut album for solo Fender Rhodes.

Alexandra Spence is a sound artist/musician whose aesthetic favours field recordings, analogue technologies and object interventions.

Chloë Sobek is a composer-performer based in Naarm. This installation presents an experimental archive of the violone, composed of sound and artefacts that resist conventional models of documentation and preservation.

From Thursday to Saturday, the installation opens to the public. The week culminates in a special ticketed solo performance by the artist, presented alongside their installation.

Inspiritus - explores free improvisation under the guidance of images of the natural world.

Led by Shane Carpini (drums/percussion), Inspiritus features some of Sydney’s finest experimental improvisers, such as Kenya Wilkins (piano/flute), Josh Shipton (electric bass), Lachlan Kerr (keyboard/synthesiser), and Liz Cheung (zhonghu/flute).

Composer Samantha Wolf and pianist Alex Raineri present a performance for piano and live electronics, featuring new, existing, and revised works from their 15-year collaborative history.
Samantha Wolf blends the classical, contemporary, acoustic, and electroacoustic worlds, while being grounded in the notated tradition.
Alex Raineri is active throughout Australia and Internationally as a piano recitalist, concerto soloist, chamber musician, harpsichordist, composer, writer, producer, and educator.

Tickets: Free, by ballot only

Melodic Fictions is a contemporary choral, improvised layered work by vocalist Merinda Dias-Jayasinha. For this performance, Melodic Fictions is crafted live by Merinda in collaboration with vocalists Hannah Cameron, Imogen Cygler, Hannah McKittrick, and Ebony Tait.
Luke M de Zilva, as LMDZ, presents live mixes of mostly Australian musicians, collating, sampling and abstracting their work to create a series of new ‘collaborations’.

Tickets: Free, by ballot only

Chloe dedicates the final year of her 20s to a deeply personal and creative journey. Throughout 2025, she will focus each month on learning, growing, and creating, sharing her process through monthly performances.

These performances are RSVP only. To reserve your spot and receive event details, please email chloekim12months@gmail.com

Chloe dedicates the final year of her 20s to a deeply personal and creative journey. Throughout 2025, she will focus each month on learning, growing, and creating, sharing her process through monthly performances.

These performances are RSVP only. To reserve your spot and receive event details, please email chloekim12months@gmail.com